LOST IN TRANSLATION: A DIVE INTO ISOLATION AND DISSATISFACTION

‘Lost in Translation’ is a Romance/Drama by Sofia Coppola; a 2003 film that follows characters Charlotte and Bob, and their respective dissatisfaction for their trips to Tokyo. Through their glances across a hotel, a friendship is built where each learn about their counterpart’s life, and take good lessons from each other. Bob sums this up perfectly in his line: “The more you know who you … Continue reading LOST IN TRANSLATION: A DIVE INTO ISOLATION AND DISSATISFACTION

DELVING INTO WHY WE NEED EXPERIMENTAL FILM: AN EXPERIMENTAL SHORT FORM ESSAY

With reference to illustrated examples and critical writing, discuss the importance of experimental filmmaking as a form of art practice. What insights does it bring and what does this require of audiences? It is undeniable that experimental film, and its similar sister movements, are part of the building blocks of the conventional fictional cinema we all know and love; experimental film movements such as the … Continue reading DELVING INTO WHY WE NEED EXPERIMENTAL FILM: AN EXPERIMENTAL SHORT FORM ESSAY

WHY I LOVE LOVE STORIES, BUT ALSO LOVE BEING SINGLE. IN RESPONSE TO ‘ETERNAL SUNSHINE OF THE SPOTLESS MIND’.

I think there is a lot to be said about affection and attention in this world. I grew up in a generation that spent their teenage years surrounded by social media and dictated with what attention they were grasping from different sources. I think many of us were hung up on the idea of love, so much so that we have lost the true meaning … Continue reading WHY I LOVE LOVE STORIES, BUT ALSO LOVE BEING SINGLE. IN RESPONSE TO ‘ETERNAL SUNSHINE OF THE SPOTLESS MIND’.

‘FILM AS ART PRACTICE’ IN RESPONSE TO AL REES’ ‘A HISTORY OF EXPERIMENTAL FILM AND VIDEO’

As Al Rees expresses in the preface to his book ‘A History of Experimental Film and Video’, it is widely accepted that mainstream cinema and what is known as experimental or ‘avant-garde’ cinema are two very different sectors of the same art form. Mainstream cinema tends to abide by cinematic conventions, whereas avant-garde cinema tends to break them. Everyday audience members are typically accustomed to … Continue reading ‘FILM AS ART PRACTICE’ IN RESPONSE TO AL REES’ ‘A HISTORY OF EXPERIMENTAL FILM AND VIDEO’

AN EXPLORATION INTO THE PRESENTATION OF INNER CONFLICT WITHIN FILM AND HOW FILMMAKERS CREATE EMOTIONAL RESPONSES FROM SUBJECTIVITY.

Within cinema, we seek to find alignment in the subjective nature of film. We are often onlookers to character’s lives, and thus their decisions, emotions, and social interactions. In this way, we are often emotionally invested into how we subjectively view a character’s life, but from an onlookers’ standpoint. However, while we believe we are objectively watching the unfolding of a narrative, we are swayed … Continue reading AN EXPLORATION INTO THE PRESENTATION OF INNER CONFLICT WITHIN FILM AND HOW FILMMAKERS CREATE EMOTIONAL RESPONSES FROM SUBJECTIVITY.

1:01

‘1:01’ is a film I made in my uni halls about the loneliness of moving away and out of home, only to be faced with deafening silence and the lack of comfort that uni halls gives. ‘1:01’ tells a story of a girl being wide awake at 1am trying to find comfort in material objects; her book, her bed etc. I chose to use a … Continue reading 1:01

Tinted

‘Tinted’ is a film about the anxiety of leaving lockdown / isolation. I made this just before lockdown was lifted, and used it as a way to express my own anxiety of going back to some sort of normality. I named it ‘Tinted’ as a link to the common phrase ‘rose coloured glasses’- pretending everything is ok and that the anxiety of the pandemic was … Continue reading Tinted

Beautiful Traces

‘Beautiful Traces’ is the third part to my three-part series: Places, Faces, Traces. This project was my way of looking at human connection within the national lockdown; how do we affect and change spaces by our relationships to objects. I determined that three things create connection within our lives- other people, the places where we see these people and the objects we use to interact … Continue reading Beautiful Traces

Beautiful Faces

‘Beautiful Faces’ is the second part in my three-part series: Places, Faces, Traces. This project was my way of looking at human connection within the national lockdown; how do we affect and change spaces by our relationships to objects. I determined that three things create connection within our lives- other people, the places where we see these people and the objects we use to interact … Continue reading Beautiful Faces