During my first year at UWE film, Felix Hodgson, Louis Barron-Forde and I made an interactive film using new and innovative software ‘Stornaway.io’. Stornaway works to mirror interactive films such as Netflix’s ‘Bandersnatch’, and I was really excited to work with new software outside of traditional linear filmmaking. Thus, we birthed ‘Lost and Found’; aContinue reading “ENCOUNTERS FILM FESTIVAL: IMMERSIVE FILM”
I’m a true believer that we all need change in life. Without it we would be stagnant and get no where. Change is a blessing that pushes us forwards into being a new person. If we stayed where we were forever we would get bored and claustrophobic, never mind the fact that we would neverContinue reading “Change and why I’m still not good with it (and why it’s amazing for story telling)”
I’ve found myself a lot, within my work, comparing myself to others. It’s very easy, in a course of over 100 talented filmmakers, to compare yourself to the beautiful work that comes out of this creative sphere. I see myself projecting my insecurities onto other people; either I find holes in their work, with theContinue reading “LEARNING ABOUT SELF COMPASSION: WHY I LOVE BRENÉ BROWN AND HOW SHE CAN HELP CREATIVES”
‘Lost in Translation’ is a Romance/Drama by Sofia Coppola; a 2003 film that follows characters Charlotte and Bob, and their respective dissatisfaction for their trips to Tokyo. Through their glances across a hotel, a friendship is built where each learn about their counterpart’s life, and take good lessons from each other. Bob sums this upContinue reading “LOST IN TRANSLATION: A DIVE INTO ISOLATION AND DISSATISFACTION”
With reference to illustrated examples and critical writing, discuss the importance of experimental filmmaking as a form of art practice. What insights does it bring and what does this require of audiences? It is undeniable that experimental film, and its similar sister movements, are part of the building blocks of the conventional fictional cinema weContinue reading “DELVING INTO WHY WE NEED EXPERIMENTAL FILM: AN EXPERIMENTAL SHORT FORM ESSAY”
WHY I LOVE LOVE STORIES, BUT ALSO LOVE BEING SINGLE. IN RESPONSE TO ‘ETERNAL SUNSHINE OF THE SPOTLESS MIND’.
I think there is a lot to be said about affection and attention in this world. I grew up in a generation that spent their teenage years surrounded by social media and dictated with what attention they were grasping from different sources. I think many of us were hung up on the idea of love,Continue reading “WHY I LOVE LOVE STORIES, BUT ALSO LOVE BEING SINGLE. IN RESPONSE TO ‘ETERNAL SUNSHINE OF THE SPOTLESS MIND’.”
As Al Rees expresses in the preface to his book ‘A History of Experimental Film and Video’, it is widely accepted that mainstream cinema and what is known as experimental or ‘avant-garde’ cinema are two very different sectors of the same art form. Mainstream cinema tends to abide by cinematic conventions, whereas avant-garde cinema tendsContinue reading “‘FILM AS ART PRACTICE’ IN RESPONSE TO AL REES’ ‘A HISTORY OF EXPERIMENTAL FILM AND VIDEO’”
AN EXPLORATION INTO THE PRESENTATION OF INNER CONFLICT WITHIN FILM AND HOW FILMMAKERS CREATE EMOTIONAL RESPONSES FROM SUBJECTIVITY.
Within cinema, we seek to find alignment in the subjective nature of film. We are often onlookers to character’s lives, and thus their decisions, emotions, and social interactions. In this way, we are often emotionally invested into how we subjectively view a character’s life, but from an onlookers’ standpoint. However, while we believe we areContinue reading “AN EXPLORATION INTO THE PRESENTATION OF INNER CONFLICT WITHIN FILM AND HOW FILMMAKERS CREATE EMOTIONAL RESPONSES FROM SUBJECTIVITY.”
‘The City Never Sleeps’ is a film I shot on a BlackMagic 4k Pocket Camera I borrowed from my uni. The voice over covers ideas of isolation within the city- this follows on from my last project ‘1:01’ which covers isolation within uni halls. I mixed the cold visuals of an accommodation block- the openingContinue reading “The City Never Sleeps”
‘1:01’ is a film I made in my uni halls about the loneliness of moving away and out of home, only to be faced with deafening silence and the lack of comfort that uni halls gives. ‘1:01’ tells a story of a girl being wide awake at 1am trying to find comfort in material objects;Continue reading “1:01”
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